01 / MICROPHONE GROUP
Dynamic Microphones
Robust moving-coil microphones for live vocals, guitar cabinets, drums and broadcast.
Live vocals · Guitar amps · DrumsRequest sourcing information →Microphone Categories
From studio vocal sessions to instrument recording and installed speech systems, the right microphone depends on sound source, pickup pattern, sensitivity and recording environment.
02 / MICROPHONE GROUP
Large-Diaphragm Condensers
Sensitive studio microphones for vocals, acoustic instruments and voice-over recording.
Vocals · Voice-over · AcousticRequest sourcing information →03 / MICROPHONE GROUP
Small-Diaphragm Condensers
Precise transient capture for cymbals, strings, piano and stereo recording.
Piano · Overheads · Stereo pairsRequest sourcing information →04 / MICROPHONE GROUP
Ribbon Microphones
Smooth, naturally balanced capture of instruments and selected vocal applications.
Guitar cabinets · Brass · RoomsRequest sourcing information →05 / MICROPHONE GROUP
Broadcast & Podcast Microphones
Speech-oriented dynamic and condenser microphones suited to desks and radio studios.
Podcast · Voice · StreamingRequest sourcing information →06 / MICROPHONE GROUP
Wireless Microphone Systems
Handheld, lavalier and headset systems for presentations and stage applications.
Presentation · Events · TheatreRequest sourcing information →07 / MICROPHONE GROUP
Instrument & Drum Microphones
Dedicated microphones and matched kits for kick drums, snares, toms and instruments.
Drum kits · Bass · InstrumentsRequest sourcing information →08 / MICROPHONE GROUP
Accessories & Mounting
Boom arms, mic stands, shock mounts, pop filters, windshields and XLR accessories.
Mounting · Isolation · CablingRequest sourcing information →Supplier status: These categories are provided for technical evaluation and sourcing inquiries. Manufacturer models, trade prices, stock and online ordering will be introduced after distributor authorization.
Professional Microphone References
Representative microphones for comparing capture characteristics and signal-chain needs. These are not confirmed Systems Studio reseller listings; prices and availability are deliberately omitted.
Shure SM58
Cardioid dynamic vocal microphone, designed for live speech and vocals. Frequency response: 50 Hz–15 kHz. XLR connection.
Dynamic · Cardioid · No phantom power required
RØDE NT1 5th Generation
Large-diaphragm cardioid condenser with both analogue XLR and digital USB connectivity. 32-bit float recording is a feature of its USB digital output, not its analogue XLR output.
Condenser · Cardioid · XLR / USB
Shure SM81
Cardioid instrument condenser for acoustic guitar, piano and cymbals. 20 Hz–20 kHz frequency response, switchable low-frequency rolloff and 0/10 dB attenuator.
Condenser · Cardioid · Phantom power
Product photography: Shure and RØDE public manufacturer materials for technical illustration. Rights for commercial promotional reuse must be confirmed with the manufacturers or authorized distributors.
ENGINEERING / MICROPHONE SELECTION
Choose the Right Microphone
01 / Sound Source
Match microphone response and maximum SPL to speech, vocals, drums, strings or amplified instruments.
02 / Pickup & Environment
Evaluate polar pattern, placement, room reflections, off-axis response and isolation requirements.
03 / Signal Chain
Verify phantom power, gain, balanced cabling, preamp compatibility and monitor routing before installation.